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The monograph explores the concept of parody as a particular artistic approach in the context of the ambiguous notions about postmodern culture. Moving across a range of various practices observed in popular music, cinema, theatre and music video, it is argued that nowadays the referential nature of parody rhetoric is a mode of expression based on a broad understanding which suggests not only the ridiculous effect of the wrong mirror but also playful gestures of positive reverence and innovating attitude to musical conventions and cultural memory. Addressed to specialists, students and a broader readership with an interest in issues of contemporary culture, the book outlines new problematic aspects within the field of Bulgarian musicology while building at the same time a bridge to border zones between the arts.
Authors: 
ISBN: 978-954-8594-36-3
Year: 2012
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